I can find personal finance advice just about anywhere, which is why I’ve posted articles like “6 financial lessons from ‘Godzilla’,” “Zombie consumerism” and “10 personal finance lessons from the Iditarod.”
Thus I was on the lookout at last Wednesday’s Metropolitan Opera’s HD re-broadcast of “The Merry Widow.” This is not an opera about bustiers. In fact, it’s not even an opera, but an operetta – lots of speaking roles but with enough musical numbers to keep an orchestra busy.
It’s pretty fluffy fare: The Paris embassy of the impoverished Grandy Duchy of Pontevedro plans a formal ball and invites the titular widow (played by Renee Fleming), who came into big bucks upon the death of her much-older husband on their wedding night.
Officials are terrified that she’ll marry someone outside their country and take her money with her, which could tip the country into bankruptcy. They scheme to fix her up with the ultra-eligible Count Danilo Danilovitsch. What they don’t know is that the two were once in love but his family forbade the marriage – at that time, Hanna was a country girl without a cent to her name.
Does she still love Danilo? Do you even have to ask? But things aren’t that simple.