The father and two daughters were on their phones while the mother looked out the window, seeming “sad and alone in the company of her closest family.” Ultimately she gave in and took out her own phone.
From this Pickersgill found the inspiration for a photo series called “Removed,” a series of pictures that were semi-staged, yet all too real. Pickersgill would ask device-users to hold their poses while he removed the tablets and cell phones from their grasp.
The result is, well, the same sort of thing we see all the time in public places: People ignoring everything around them to fixate on handheld pixel-makers. But its static nature – men, women and children staring blankly into empty space – makes the exhibit deeply unsettling.
A few examples: